{"id":8274,"date":"2017-12-01T16:39:45","date_gmt":"2017-12-01T16:39:45","guid":{"rendered":"http:\/\/www.claude-arnaud.com\/fr\/?p=8274"},"modified":"2021-01-28T17:03:00","modified_gmt":"2021-01-28T16:03:00","slug":"portraits-craches-dans-transfuge","status":"publish","type":"post","link":"https:\/\/www.claude-arnaud.com\/fr\/archives\/8274","title":{"rendered":"\u00ab\u00a0PORTRAITS CRACHES\u00a0\u00bb dans TRANSFUGE"},"content":{"rendered":"<p><strong><span style=\"color: #008000;\"><a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2017\/11\/Ferville-Franck.-C.A.-2017.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-8291\" title=\"Ferville Franck. C.A. 2017\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2017\/11\/Ferville-Franck.-C.A.-2017-222x300.jpg\" alt=\"\" width=\"222\" height=\"260\" \/><\/a>\u00ab\u00a0Claude\u00a0\u00a0 \u00a0ARNAUD<\/span> \u00a0\u00a0 d\u00e9balle\u00a0\u00a0 \u00a0sa\u00a0\u00a0 \u00a0biblioth\u00e8que, \u00e9crit <span style=\"color: #008000;\">Damien AUBEL<\/span><\/strong> dans <strong>le n\u00b0 114 de TRANSFUGE<\/strong>,\u00a0<strong> <a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2017\/11\/117-300x407.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright  wp-image-8276\" title=\"117-300x407\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2017\/11\/117-300x407-221x300.jpg\" alt=\"\" width=\"198\" height=\"269\" srcset=\"https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2017\/11\/117-300x407-221x300.jpg 221w, https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2017\/11\/117-300x407.jpg 300w\" sizes=\"auto, (max-width: 198px) 100vw, 198px\" \/><\/a> dat\u00e9 <strong>d\u00e9cembre 2017<\/strong>. <strong>Avec la libert\u00e9 et <\/strong>la souplesse joyeuses d&rsquo;un <span style=\"color: #008000;\">MONTAIGNE<\/span><\/strong> butinant parmi ses livres, le romancier et fin connaisseur de <span style=\"color: #008000;\"><strong>COCTEAU<\/strong><\/span> ou de <strong>CHAMFORT<\/strong> nous convie \u00e0 une balade dans le genre du portrait. <strong>Des jeux de soci\u00e9t\u00e9 des Pr\u00e9cieuses <span style=\"color: #008000;\">au mordant impitoyable d&rsquo;un cardinal de RETZ<\/span><\/strong>, <strong>du XVIII&rsquo; si\u00e8cle qui \u00e9largit les fronti\u00e8res de l&rsquo;exercice et <span style=\"color: #008000;\">s&rsquo;ouvre aux marginaux<\/span><\/strong>, jusqu&rsquo;aux prodigieuses entreprises de zoologie humaine <span style=\"color: #008000;\"><strong>d&rsquo;un BALZAC ou d&rsquo;un ZOLA<\/strong><\/span>, personnages historiques\u00a0\u00a0\u00a0 et\u00a0\u00a0 \u00a0fictionnels\u00a0\u00a0 \u00a0se\u00a0\u00a0 \u00a0succ\u00e8dent\u00a0\u00a0 \u00a0au fil\u00a0\u00a0 \u00a0d&rsquo;extraits\u00a0\u00a0 \u00a0<strong>sertis\u00a0\u00a0 \u00a0dans\u00a0\u00a0 \u00a0la\u00a0\u00a0 \u00a0prose\u00a0\u00a0 \u00a0de\u00a0\u00a0 \u00a0<span style=\"color: #008000;\">Claude ARNAUD<\/span><\/strong>. Avec, comme point nodal et m\u00e8tre-\u00e9talon, <span style=\"color: #008000;\"><strong>le \u00ab patron \u00bb Saint-Simon<\/strong><\/span>. <strong>Et comme basse continue \u00e0 cette symphonie, qui a <span style=\"color: #008000;\">parfois des allures<\/span> de carnaval des animaux<\/strong> (<strong><span style=\"color: #008000;\">Claude ARNAUD<\/span><\/strong> n&rsquo;oublie pas <strong>les merveilleuses vignettes de <span style=\"color: #008000;\">BUFFON<\/span>, son cheval ou son chat<\/strong>), la m\u00eame rumeur, <strong>insistante comme le <span style=\"color: #008000;\">grondement d&rsquo;une r\u00e9volution<\/span> de la psych\u00e9 et de l&rsquo;\u00e9criture<\/strong> <span style=\"color: #008000;\">: la libert\u00e9<\/span>.\u00a0\u00bb<\/p>\n<p><span style=\"color: #008000;\"><strong>Pour d\u00e9couvrir<\/strong><\/span> <a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2017\/11\/Transfuge-Sommaire-114-1.pdf\">le sommaire de ce num\u00e9ro<\/a>&#8230;<strong> Pour lire <\/strong><strong>cet article<\/strong>, et\u00a0 <a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2021\/01\/TRANSFUGE.pdf\">l&rsquo;entretien qui le suit<\/a>&#8230;<\/p>\n<p><strong>Pour voir la <span style=\"color: #008000;\">r\u00e9ception que ce livre re\u00e7oit<\/span><\/strong>\u00a0<a title=\"p c en f\" href=\"http:\/\/www.claude-arnaud.com\/fr\/essais\/portraits-craches\/portraits-craches-en-france\">en FRANCE<\/a>&#8230; Et \u00e0\u00a0<a title=\"p c abroad\" href=\"http:\/\/www.claude-arnaud.com\/fr\/essais\/portraits-craches\/portraits-craches-abroad-a-letranger\">l&rsquo;ETRANGER<\/a>&#8230;<strong><br \/>\n<\/strong><\/p>\n<p><strong style=\"color: #008000;\">Pour commander<\/strong> <strong><em>PORTRAITS CRACHES<\/em> <\/strong><a title=\"fnac\" href=\"https:\/\/livre.fnac.com\/a10624021\/Claude-Arnaud-Portraits-craches#int=NonApplicable%7C10624021%7CNonApplicable%7CL1\" target=\"_blank\" rel=\"noopener\">via la FNAC<\/a>\u2026 <span style=\"color: #008000;\"><strong>ou via le site<\/strong><\/span> <a title=\"Librairie de Paris\" href=\"http:\/\/www.librairie-de-paris.fr\/9782221132098-portraits-craches-un-tresor-litteraire-de-montaigne-a-houellebecq-claude-arnaud\/\" target=\"_blank\" rel=\"noopener\">LIBRAIRIE DE PARIS<\/a>\u2026<\/p>\n<p><a title=\"interforum\" href=\"https:\/\/www.interforum.fr\/Affiliations\/accueil.do?refLivre=9782221132098&amp;refEditeur=135&amp;type=P&amp;popin=1\" target=\"_blank\" rel=\"noopener\">ET ENCORE<\/a>&#8230;<\/p>\n<p><em><span style=\"color: #008000;\"><strong>(Ph: Franck Ferville<\/strong><\/span><\/em>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab\u00a0Claude\u00a0\u00a0 \u00a0ARNAUD \u00a0\u00a0 d\u00e9balle\u00a0\u00a0 \u00a0sa\u00a0\u00a0 \u00a0biblioth\u00e8que, \u00e9crit Damien AUBEL dans le n\u00b0 114 de TRANSFUGE,\u00a0 dat\u00e9 d\u00e9cembre 2017. Avec la libert\u00e9 et la souplesse joyeuses d&rsquo;un MONTAIGNE butinant parmi ses livres, le romancier et fin connaisseur de COCTEAU ou de CHAMFORT nous convie \u00e0 une balade dans le genre du portrait. Des jeux de soci\u00e9t\u00e9 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-8274","post","type-post","status-publish","format-standard","hentry","category-affinites","count-0","even alt","author-claude-arnaud","last"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/posts\/8274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/comments?post=8274"}],"version-history":[{"count":14,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/posts\/8274\/revisions"}],"predecessor-version":[{"id":11564,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/posts\/8274\/revisions\/11564"}],"wp:attachment":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/media?parent=8274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/categories?post=8274"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/tags?post=8274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}