{"id":6138,"date":"2015-10-24T14:12:07","date_gmt":"2015-10-24T14:12:07","guid":{"rendered":"http:\/\/www.claude-arnaud.com\/fr\/?p=6138"},"modified":"2025-01-23T13:12:09","modified_gmt":"2025-01-23T12:12:09","slug":"la-duchesse-de-guermantes-au-palais-galliera","status":"publish","type":"post","link":"https:\/\/www.claude-arnaud.com\/fr\/archives\/6138","title":{"rendered":"LA DUCHESSE DE GUERMANTES DESHABILLEE AU PALAIS GALLIERA"},"content":{"rendered":"

\"\"<\/a>Du 7 novembre 2015 au 20 mars 2016<\/strong>, le Palais Galliera<\/strong><\/span> (10 avenue Pierre 1er de Serbie,Paris 16e) pr\u00e9sente les robes tr\u00e9sors de la comtesse\"\"<\/a> Greffulhe<\/strong> dans le cadre de l’exposition \u00ab\u00a0<\/strong>La Mode retrouv\u00e9e\u00a0\u00bb<\/strong><\/span>. Celle qui inspira partiellement \u00e0 PROUST<\/strong> le personnage de la duchesse de Guermantes<\/strong><\/span> ayant l\u00e9gu\u00e9 l’ensemble de sa garde-robe, ce sera l’occasion unique d’explorer l’univers d’une femme remarquable<\/strong>, l’intime de Robert de MONTESQUIOU<\/strong><\/span> son cousin. Qui r\u00e9genta la vie mondaine et culturelle parisienne de la fin du Second Empire aux Ann\u00e9es folles, aida les op\u00e9ras de Wagner<\/strong> ou les Ballets russes<\/strong><\/span> \u00e0 se produire, \u00ab assit \u00bb mondainement la r\u00e9putation de Gustave Moreau<\/strong> et de James Whistler<\/strong><\/span> et soutint les recherches de Marie Curie<\/strong> ou d\u2019\u00c9douard<\/span><\/strong> Branly<\/strong><\/span>, tout en d\u00e9fendant la cause du capitaine Dreyfus<\/strong>. Pour en savoir plus<\/a>…<\/p>\n

\"\"<\/a>A l’occasion de cette exposition, qui sera montr\u00e9e ensuite au Museum at FIT (Fashion Institute of Technology),<\/strong><\/span> New York<\/strong><\/span> (septembre 2016<\/strong>), le Palais Galliera et Paris Mus\u00e9es<\/strong><\/span> publient un catalogue, sous la direction d’Olivier Saillard<\/strong>. Claude Arnaud<\/strong><\/span> y a contribu\u00e9 avec un texte intitul\u00e9 \u00ab\u00a0La Colombe poignard\u00e9e\u00a0\u00bb commen\u00e7ant ainsi: \u00ab\u00a0Au temps de Henri IV et de Louis XIV,<\/strong> on distinguait le corps physique du roi<\/strong><\/span> \u2014 p\u00e9rissable et mortel \u2014 et le corps mystique de la monarchie<\/strong>, par essence \u00e9ternelle. Morte il y a un demi-si\u00e8cle, \u00c9lisabeth de Caraman Chimay, comtesse Greffulhe par son mariage<\/strong><\/span>, s\u2019offre \u00e0 nous sous des formes presque aussi extr\u00eames. Sa dimension la plus mondaine s\u2019affiche dans les parures qu\u2019elle commanda aux meilleurs couturiers sa vie durant<\/strong>; sa dimension la plus secr\u00e8te illumine le personnage de la duchesse de Guermantes<\/strong><\/span>, pilier f\u00e9minin de la cath\u00e9drale de papier que b\u00e2tit Proust<\/strong>. La premi\u00e8re a tout, beaut\u00e9, fortune, naissance, ch\u00e2teaux et valets ; la seconde souffre en silence, faute d\u2019\u00eatre aim\u00e9e…\u00a0\u00bb Pour en savoir plus.<\/a>.. (Une petite erreur s’est faufil\u00e9e dans le texte, il faut remplacer Jules<\/span>\u00a0de Goncourt<\/strong>, trois fois cit\u00e9s, par son fr\u00e8re Edmond<\/strong><\/span>!)<\/p>\n

\u00ab\u00a0Leah\u2019s choice: La Mode Retrouvee. Les Robes Tresors de la Comtesse Greffulhe<\/em>, by Olivier Saillard, Claude Arnaud, Laure Hillerin, Sylvie Lecallier and Valerie Steele (2015).<\/p>\n

\"\"<\/a>\u00ab\u00a0This book is the catalogue for an exhibition of the same name, currently running at the Palais Galliera in Paris (7th<\/sup> November 2015\u2013 20th<\/sup> March 2016). Because I am not yet sure whether I am going to be able to see the show before it ends this book is on my Christmas wishlist<\/span> <\/strong>as substitute for the real deal, which displays a selection of the clothes, but also photographs and films of the Countess Greffulhe<\/strong><\/span> \u2013 an influential and impressive society figure in early twentieth century Paris and Marcel Proust\u2019s inspiration<\/span><\/strong> for the Duchess Guermantes in his novel In Search of Lost Time<\/em>.\u00a0\u00bb Leah\u2019s choice, The Courtauld Institut of arts… Get this catalogue<\/a>…<\/p>\n

\"\"<\/a>Comprare questo libro<\/a>…<\/p>\n

\"\"<\/a>Verkauf die buch<\/a>…\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Comprar el libro<\/a>…\"\"<\/a><\/p>\n

\"\"<\/a>In NEW YORK, at the Fashion Institute of Technology, Special Exhibitions Gallery (<\/em>September 23, 2016 \u2013 January 7, 2017) \u00ab\u00a0Proust\u2019s Muse, The Countess Greffulhe<\/em><\/strong>\u00a0\u00bb features extraordinary fashions from the legendary wardrobe of \u00c9lisabeth de Caraman-Chimay, the Countess Greffulhe<\/strong><\/span> (1860\u20131952). A famous beauty celebrated for her \u201caristocratic and artistic elegance,\u201d the countess was a fashion icon. Read more<\/a>…<\/p>\n","protected":false},"excerpt":{"rendered":"

Du 7 novembre 2015 au 20 mars 2016, le Palais Galliera (10 avenue Pierre 1er de Serbie,Paris 16e) pr\u00e9sente les robes tr\u00e9sors de la comtesse Greffulhe dans le cadre de l’exposition \u00ab\u00a0La Mode retrouv\u00e9e\u00a0\u00bb. Celle qui inspira partiellement \u00e0 PROUST le personnage de la duchesse de Guermantes ayant l\u00e9gu\u00e9 l’ensemble de sa garde-robe, ce sera […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-6138","post","type-post","status-publish","format-standard","hentry","category-evenements","count-0","even alt","author-claude-arnaud","last"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/posts\/6138","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/comments?post=6138"}],"version-history":[{"count":30,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/posts\/6138\/revisions"}],"predecessor-version":[{"id":16494,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/posts\/6138\/revisions\/16494"}],"wp:attachment":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/media?parent=6138"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/categories?post=6138"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/tags?post=6138"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}