{"id":5983,"date":"2015-04-04T11:27:52","date_gmt":"2015-04-04T11:27:52","guid":{"rendered":"http:\/\/www.claude-arnaud.com\/fr\/?p=5983"},"modified":"2021-01-29T14:55:24","modified_gmt":"2021-01-29T13:55:24","slug":"notre-ecrivain-national","status":"publish","type":"post","link":"https:\/\/www.claude-arnaud.com\/fr\/archives\/5983","title":{"rendered":"NOTRE ECRIVAIN NATIONAL"},"content":{"rendered":"<p><span style=\"color: #008000;\"><strong><a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2015\/04\/554_1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-5985\" title=\"554_1\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2015\/04\/554_1.jpg\" alt=\"\" width=\"222\" height=\"293\" srcset=\"https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2015\/04\/554_1.jpg 260w, https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2015\/04\/554_1-228x300.jpg 228w\" sizes=\"auto, (max-width: 222px) 100vw, 222px\" \/><\/a>Dans son num\u00e9ro 554<\/strong><\/span>, dat\u00e9 d&rsquo;avril 2015, <strong>LE MAGAZINE LITTERAIRE<\/strong> a demand\u00e9 \u00e0 20 \u00e9crivains quel serait, \u00e0 leurs yeux, l&rsquo;\u00e9crivain national fran\u00e7ais. <span style=\"color: #008000;\"><strong>CLAUDE ARNAUD<\/strong><\/span> a choisi <strong>BALZAC<\/strong>, <span style=\"color: #008000;\"><strong>l&rsquo;Hercule Gaulois<\/strong><\/span>. Il s&rsquo;en explique dans sa contribution, fortement r\u00e9duite \u00e0 la publication: \u00ab\u00a0A quelques exceptions pr\u00e8s\u00a0&#8211; <strong>VILLON<\/strong>, <span style=\"color: #008000;\"><strong>RABELAIS<\/strong><\/span>, <strong>RETIF<\/strong>&#8230;- <strong>notre litt\u00e9rature a longtemps parl\u00e9 haut, noble,\u00a0pointu\u00a0<\/strong>; les \u00ab\u00a0pires\u00a0\u00bb obsc\u00e9nit\u00e9s se drapaient elles-m\u00eames dans les tournures \u00e9l\u00e9gantes des petits marquis. <span style=\"color: #008000;\"><strong>Il fallut attendre la fin de la R\u00e9volution pour voir la langue parl\u00e9e par les artisans, les aigrefins et les charretiers y p\u00e9n\u00e9trer par effraction avec BALZAC<\/strong><\/span>. En pr\u00e8s de cent romans et nouvelles, <strong>ce pl\u00e9b\u00e9ien monarchiste a fait entrer tout l\u2019arc-en-ciel social fran\u00e7ais dans la litt\u00e9rature<\/strong>, de la noblesse \u00e0 la lie. Recourant volontiers \u00e0 l\u2019argot (<span style=\"color: #008000;\"><strong>Vautrin<\/strong><\/span>), \u00ab\u00a0sonorisant\u00a0\u00bb tous les accents, qu\u2019ils soient r\u00e9gionaux ou \u00e9trangers (<strong>Modeste Mignon, <span style=\"color: #008000;\">Nucingen<\/span>, Malaga<\/strong>\u2026), il s\u2019est toujours tenu aux antipodes de cette transcription id\u00e9elle qui nous enivre encore \u00e0 la lecture des <strong>RACINE<\/strong>, <span style=\"color: #008000;\"><strong>MARIVAUX<\/strong><\/span> et <strong>LACLOS<\/strong>. Autant que l\u2019architecture unique qu\u2019il donna \u00e0 son \u0153uvre, ou qu\u2019\u00e0 l\u2019aura mythologique de ses personnages, d\u00e9cupl\u00e9e par leur retour d\u2019un livre l\u2019autre, ce forcing \u00a0fait de lui, \u00e0 mes yeux, cet \u00e9crivain national que <strong>RODIN<\/strong> \u00e9rigea en Hercule nu et que <span style=\"color: #008000;\"><strong>MARX<\/strong><\/span> consacra en \u00e9crivain total: personne n\u2019aura saisi aussi largement que <span style=\"color: #008000;\"><strong>BALZAC<\/strong><\/span> la r\u00e9alit\u00e9 individuelle et sociale, historique et humaine de notre pays, \u00e0 l\u2019aube de la r\u00e9volution industrielle.<\/p>\n<p>Pour trouver ce num\u00e9ro du <a href=\"https:\/\/www.decitre.fr\/revues\/le-magazine-litteraire-n-554-avril-2015-michel-leiris-l-insdiscipline-3663322084812.html\" target=\"_blank\" rel=\"noopener\">Magazine litt\u00e9raire<\/a>&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dans son num\u00e9ro 554, dat\u00e9 d&rsquo;avril 2015, LE MAGAZINE LITTERAIRE a demand\u00e9 \u00e0 20 \u00e9crivains quel serait, \u00e0 leurs yeux, l&rsquo;\u00e9crivain national fran\u00e7ais. CLAUDE ARNAUD a choisi BALZAC, l&rsquo;Hercule Gaulois. Il s&rsquo;en explique dans sa contribution, fortement r\u00e9duite \u00e0 la publication: \u00ab\u00a0A quelques exceptions pr\u00e8s\u00a0&#8211; VILLON, RABELAIS, RETIF&#8230;- notre litt\u00e9rature a longtemps parl\u00e9 haut, noble,\u00a0pointu\u00a0; [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-5983","post","type-post","status-publish","format-standard","hentry","category-articles","count-0","even alt","author-claude-arnaud","last"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/posts\/5983","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/comments?post=5983"}],"version-history":[{"count":3,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/posts\/5983\/revisions"}],"predecessor-version":[{"id":11645,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/posts\/5983\/revisions\/11645"}],"wp:attachment":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/media?parent=5983"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/categories?post=5983"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/tags?post=5983"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}