{"id":2715,"date":"2012-05-09T19:17:10","date_gmt":"2012-05-09T19:17:10","guid":{"rendered":"http:\/\/www.claude-arnaud.com\/fr\/?p=2715"},"modified":"2022-02-13T13:10:51","modified_gmt":"2022-02-13T12:10:51","slug":"avec-misia-sert-au-musee-dorsay","status":"publish","type":"post","link":"https:\/\/www.claude-arnaud.com\/fr\/archives\/2715","title":{"rendered":"AVEC MISIA SERT AU MUSEE D’ORSAY"},"content":{"rendered":"

Du 11 juin<\/strong> au 9 septembre 2012<\/strong>, le Mus\u00e9e d’ORSAY<\/strong><\/span> a pr\u00e9sent\u00e9 une r\u00e9trospective consacr\u00e9e \u00e0 MISIA SERT (1872-1950)<\/strong>, que le mus\u00e9e Mus\u00e9e Bonnard du Cannet <\/strong>(16 bd Sadi Carnot, 06110 LE CANNET, t\u00e9l. 04.93.94.06.06) a repris du 13 octobre 2012 au 6 janvier 2013. <\/strong><\/span>Figure clef de\"\"<\/a> la vie culturelle europ\u00e9enne, de la Belle Epoque aux ann\u00e9es 30 et de la Revue Blanche<\/em> aux Ballets Russes, MISIA SERT<\/strong><\/span> posa pour VUILLARD<\/strong><\/span>, BONNARD<\/strong>, TOULOUSE-LAUTREC<\/strong><\/span>, VALLOTTON<\/strong>, RENOIR<\/strong><\/span>, inspira MIRBEAU<\/strong>, PROUST<\/strong><\/span>, COCTEAU<\/strong>, mais aussi STRAVINSKY<\/strong><\/span>, SATIE<\/strong>, RAVEL.<\/strong><\/span>.. Pour en savoir plus…<\/a><\/p>\n

Les \u00e9ditions GALLIMARD<\/strong>, en co\u00e9ditions avec le Mus\u00e9e, publient en parall\u00e8le un ouvrage sous la direction de Guy COGEVAL<\/strong>, pr\u00e9sident du mus\u00e9e d\u2019Orsay, et d\u2019Isabelle CAHN<\/strong><\/span>, conservateur au mus\u00e9e d\u2019Orsay. Il est introduit par un essai de CLAUDE ARNAUD<\/span>: \u00ab\u00a0MISIA, FEE VERTE<\/strong>\u00ab\u00a0.<\/p>\n

\"\"<\/a>\u00ab\u00a0Un vrai roman\u00a0\u00bb \u00e9crit Guy DUPLAT dans LaLibrebe.com…<\/a><\/p>\n

Pour en savoir plus<\/a>…<\/p>\n

Pour feuiller ce catalogue et l’acqu\u00e9rir en Europe<\/a>…<\/p>\n

\"\"<\/a>Et au Canada…<\/a><\/strong><\/p>\n

\"\"<\/a>\u00ab\u00a0The catalogue does an excellent job of putting forth the mountain of facts, which has never been compiled to such a degree on this important figure<\/strong>\u00ab\u00a0, writes Debra J. DeWitte<\/strong><\/span>, University of Texas at Dallas<\/strong>, in Ninetheenth-Century Art Worldwide<\/span><\/em><\/strong>, Volume 12, Issue 1, Spring 2013. R<\/strong><\/a>ead more…<\/a><\/p>\n

*GET THAT CATALOGUE IN THE UK<\/a><\/strong>…<\/a><\/p>\n

\"\"<\/a><\/p>\n

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AND IN THE US..<\/strong><\/span>.<\/a>\u00a0\u00a0 \"\"<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 IN\u00a0DEUTSCHLAND<\/a>…<\/div>\n
\u00a0<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\"\"<\/a>Ottobre 2012: Adelphi<\/strong> pubblica MISIA<\/strong><\/em>, le memorie di Misia SERT<\/strong><\/span>, con il saggio di Claude ARNAUD<\/strong>, Misia, la fata verde, <\/em>traduzione di Laura Frausin Guarino<\/strong>. Biblioteca Adelphi 598<\/strong><\/span>. Per trovarlo… <\/a><\/p>\n

\"\"<\/a>\u00ab\u00a0…Adelphi rimenda in livreria Misia<\/strong><\/em><\/span>, le appassionanti, e un po’ autocelebrative, memorie scritte da Misia SERT<\/strong> negli ultimi anni di vita e uscite postume, arrichite da una bella postfazione di Claude ARNAUD<\/strong><\/span> intitolato \u00ab\u00a0Misia, la fata verde\u00a0\u00bb e da un affascinante apparato iconfografico\u00a0\u00bb. Sergio Trombett<\/strong>ta<\/strong><\/span>, La Stampa<\/strong><\/em>, 04.01.2013<\/p>\n

\u00ab\u00a0A bilanciare, con garbo e ironia -ma senza perdonarle niente- a pag. 221 misia: la fata verde di claude arnaud<\/em>, tremendo acutissimo<\/strong> e molto divertente<\/span> bignami della vita di misia, la musa, la donna pi\u00f9 ritratta della storia dell\u2019arte. \u201cTenersi i mariti \u00e8 un\u2019arte, ma anche in questo campo misia fu artista solo a met\u00e0.\u201d<\/em> La f\u00e9e verte,\u00a0<\/em>la fata verde: l\u2019assenzio con tutto quello che -nel bene e nel male- ha creato, dato, regalato. anche a noi\u00a0\u00bb.<\/p>\n

\u00ab\u00a0Misia Sert era una \u00abfata buona\u00bb (come la defin\u00ec il poeta Pierre Reverdy<\/strong>)? O una \u00abfata verde\u00bb come l’assenzio (che \u00abrendeva geniali e al tempo stesso uccideva\u00bb), secondo l’immagine con cui la suggella lo scrittore Claude Arnaud<\/strong><\/span> nel saggio che accompagna le memorie da poco ripubblicate da Adelphi (\u00abMisia\u00bb, 242 pagine, 19 euro)? Probabilmente, come tutte le donne di grande personalit\u00e0 (e di accese contraddizioni), fu l’una e l’altra\u00a0\u00bb. Giornale di Brescia<\/em>…<\/p>\n

\"\"<\/a>Un’altro recensione, sul’sito del Corriere della sera<\/a>…<\/p>\n

E sul’ sito sololibri…<\/a>\"\"<\/a><\/p>\n

\"\"<\/a>Le dimanche 18 novembre 2012<\/strong>, Claude ARNAUD<\/strong><\/span> est intervenu au Mus\u00e9e d’Orsay, lors d’un \u00ab\u00a0Caf\u00e9 Litt\u00e9raire\u00a0\u00bb consacr\u00e9 aux \u00ab\u00a0Ecrivains \u00e0 la mode<\/strong>\u00a0\u00bb (Mod\u00e9rateur : Jean-Philippe Rossignol<\/strong>, \u00e9crivain et \u00e9diteur), qui s’est tenu dans le restaurant du Mus\u00e9e.<\/p>\n","protected":false},"excerpt":{"rendered":"

Du 11 juin au 9 septembre 2012, le Mus\u00e9e d’ORSAY a pr\u00e9sent\u00e9 une r\u00e9trospective consacr\u00e9e \u00e0 MISIA SERT (1872-1950), que le mus\u00e9e Mus\u00e9e Bonnard du Cannet (16 bd Sadi Carnot, 06110 LE CANNET, t\u00e9l. 04.93.94.06.06) a repris du 13 octobre 2012 au 6 janvier 2013. Figure clef de la vie culturelle europ\u00e9enne, de la Belle […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-2715","post","type-post","status-publish","format-standard","hentry","category-evenements","count-0","even alt","author-claude-arnaud","last"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/posts\/2715","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/comments?post=2715"}],"version-history":[{"count":47,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/posts\/2715\/revisions"}],"predecessor-version":[{"id":13912,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/posts\/2715\/revisions\/13912"}],"wp:attachment":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/media?parent=2715"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/categories?post=2715"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/tags?post=2715"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}