{"id":17143,"date":"2026-03-23T13:13:31","date_gmt":"2026-03-23T12:13:31","guid":{"rendered":"https:\/\/www.claude-arnaud.com\/fr\/?p=17143"},"modified":"2026-03-23T13:13:31","modified_gmt":"2026-03-23T12:13:31","slug":"une-performance-signee-olivier-saillard-et-tilda-swinton","status":"publish","type":"post","link":"https:\/\/www.claude-arnaud.com\/fr\/archives\/17143","title":{"rendered":"Une performance sign\u00e9e Olivier Saillard et Tilda Swinton"},"content":{"rendered":"

\"\"<\/a>C\"\"<\/a>e dimanche 22 mars 2026, Olivier SAILLARD<\/span> a orchestr\u00e9 dans la salle Marie-Claude BEAUD<\/span> de la Fondation CARTIER, \u00e0 Paris 1er, une remarquable performance interpr\u00e9t\u00e9e par Tilda SWINTON. Il a<\/span> pr\u00e9sent\u00e9 l’interpr\u00e8te f\u00e9tiche de Pedro ALMODOVAR non comme Peter USTINOV<\/span>\u00a0 \u00ab\u00a0offrant\u00a0\u00bb au public LOLA MONTES<\/em><\/span>, dans le film de Max OPH\u00dcLS, mais comme un mannequin Stockman<\/span> qu’il se plaisait \u00e0 habiller et d\u00e9v\u00eatir, articuler et d\u00e9sarticuler,<\/span> faire sourire ou grimacer, \u00e0 mesure des postes qu’il lui faisait prendre,<\/span> d\"\"<\/a>ans un hommage parodique aux pr\u00e9sentations de mode des ann\u00e9es 50\"\"<\/a><\/span>. Mi homme mi femme, mi belette mi l\u00e9vrier, l’ambiguit\u00e9 essentielle de Tilda SWINTON<\/span> \u00e9tait mise\u00a0 comme jamais en valeur, avant qu’elle ne retrouve l’inertie ligneuse\u00a0 des mannequins de vitrine durant les dix derni\u00e8res minutes,<\/span> cern\u00e9e par une foule la photographiant. On pensait \u00e0 une GALATEE \u00e0 rebours, ramen\u00e9e \u00e0 l’\u00e9tat de statue, ou une DAPHNEE chang\u00e9e en bois…<\/span><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Ce dimanche 22 mars 2026, Olivier SAILLARD a orchestr\u00e9 dans la salle Marie-Claude BEAUD de la Fondation CARTIER, \u00e0 Paris 1er, une remarquable performance interpr\u00e9t\u00e9e par Tilda SWINTON. Il a pr\u00e9sent\u00e9 l’interpr\u00e8te f\u00e9tiche de Pedro ALMODOVAR non comme Peter USTINOV\u00a0 \u00ab\u00a0offrant\u00a0\u00bb au public LOLA MONTES, dans le film de Max OPH\u00dcLS, mais comme un mannequin […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-17143","post","type-post","status-publish","format-standard","hentry","category-affinites","count-0","even alt","author-claude-arnaud","last"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/posts\/17143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/comments?post=17143"}],"version-history":[{"count":2,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/posts\/17143\/revisions"}],"predecessor-version":[{"id":17149,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/posts\/17143\/revisions\/17149"}],"wp:attachment":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/media?parent=17143"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/categories?post=17143"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/tags?post=17143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}