{"id":15185,"date":"2023-03-31T17:53:29","date_gmt":"2023-03-31T16:53:29","guid":{"rendered":"https:\/\/www.claude-arnaud.com\/fr\/?p=15185"},"modified":"2023-04-06T13:09:38","modified_gmt":"2023-04-06T12:09:38","slug":"oriane-jeancourt-galignani-a-lu-picasso-tout-contre-cocteau-pour-transfuge","status":"publish","type":"post","link":"https:\/\/www.claude-arnaud.com\/fr\/archives\/15185","title":{"rendered":"Oriane Jeancourt Galignani a lu \u00ab\u00a0Picasso tout contre Cocteau\u00a0\u00bb pour Transfuge"},"content":{"rendered":"\n<p><\/p>\n\n\n<p>Dans son num\u00e9ro 167, dat\u00e9 d&rsquo;avril 2023, <span style=\"color: #008000;\"><em><strong>TRANSFUGE<\/strong> <\/em><\/span>publie un article d&rsquo;<strong>Oriane JEANCOURT<a href=\"https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2023\/03\/Transfuge-N-167-Kafka-avril-2023.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-15186\" src=\"https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2023\/03\/Transfuge-N-167-Kafka-avril-2023-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2023\/03\/Transfuge-N-167-Kafka-avril-2023-300x300.jpg 300w, https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2023\/03\/Transfuge-N-167-Kafka-avril-2023-150x150.jpg 150w, https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2023\/03\/Transfuge-N-167-Kafka-avril-2023.jpg 340w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a> GALIGANI<\/strong> consacr\u00e9 au <em><strong>\u00ab\u00a0Picasso tout contre Cocteau\u00a0\u00bb<\/strong> <\/em>de <span style=\"color: #008000;\"><strong>Claude ARNAUD<\/strong><\/span>. \u00ab\u00a0<strong>C\u2019est\u2026l\u2019une des grandes forces du livre de placer en parall\u00e8le les \u00e9volutions des deux (cr\u00e9ateurs)<\/strong>, \u00e9crit l&rsquo;\u00e9crivaine et critique. <strong><span style=\"color: #008000;\">II insiste sur le fait que l\u2019un et l\u2019autre ne cessent d\u2019emprunter aux mouvements de leur temps<\/span><\/strong>&#8230;. <strong>Mais <span style=\"color: #008000;\">COCTEAU<\/span> se bat et travaille<\/strong>, presqu\u2019autant que <strong>PICASSO, bien qu\u2019il ne puisse <span style=\"color: #008000;\">avoir la constance inhumaine<\/span> du Malagu\u00e8ne<\/strong>. <span style=\"color: #008000;\"><strong>Rien ne perturbe PICASSO<\/strong> <\/span>(&#8230;) <strong><em>Autrui n\u2019est pour lui qu\u2019un miroir fan\u00e9,<\/em><\/strong> \u00e9crit <strong>Claude ARNAUD<\/strong>\u00a0\u00bb <a href=\"https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2023\/03\/TRANSFUGE-Avril-2023.pdf\">Pour lire cet article in extenso&#8230;<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Dans son num\u00e9ro 167, dat\u00e9 d&rsquo;avril 2023, TRANSFUGE publie un article d&rsquo;Oriane JEANCOURT GALIGANI consacr\u00e9 au \u00ab\u00a0Picasso tout contre Cocteau\u00a0\u00bb de Claude ARNAUD. \u00ab\u00a0C\u2019est\u2026l\u2019une des grandes forces du livre de placer en parall\u00e8le les \u00e9volutions des deux (cr\u00e9ateurs), \u00e9crit l&rsquo;\u00e9crivaine et critique. II insiste sur le fait que l\u2019un et l\u2019autre ne cessent d\u2019emprunter aux [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-15185","post","type-post","status-publish","format-standard","hentry","category-affinites","count-0","even alt","author-claude-arnaud","last"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/posts\/15185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/comments?post=15185"}],"version-history":[{"count":3,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/posts\/15185\/revisions"}],"predecessor-version":[{"id":15190,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/posts\/15185\/revisions\/15190"}],"wp:attachment":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/media?parent=15185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/categories?post=15185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/tags?post=15185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}