{"id":7826,"date":"2017-07-26T15:13:29","date_gmt":"2017-07-26T15:13:29","guid":{"rendered":"http:\/\/www.claude-arnaud.com\/fr\/?page_id=7826"},"modified":"2018-05-27T22:12:40","modified_gmt":"2018-05-27T22:12:40","slug":"4-de-couverture","status":"publish","type":"page","link":"https:\/\/www.claude-arnaud.com\/fr\/essais\/portraits-craches\/4-de-couverture","title":{"rendered":"Portraits crach\u00e9s : la quatri\u00e8me de couverture"},"content":{"rendered":"<h6><strong>*Ce volume rassemble pr\u00e8s de cinq cents portraits de personnages ayant exist\u00e9 (<span style=\"color: #008000;\">de Saint Louis \u00e0 Mao<\/span>) ou qui ont \u00e9t\u00e9 invent\u00e9s (du <span style=\"color: #008000;\">Gargantua<\/span> de Rabelais \u00e0 la <span style=\"color: #008000;\">L\u00e9a<\/span> de Colette). Tir\u00e9s de m\u00e9moires, de lettres ou de romans, ces textes r\u00e9v\u00e8lent <span style=\"color: #008000;\">la richesse d\u2019un genre litt\u00e9raire \u00e0 part enti\u00e8re<\/span> qui joua un r\u00f4le d\u00e9cisif dans l\u2019essor de l\u2019individualisme \u00e0 la fran\u00e7aise, et de <span style=\"color: #008000;\">notre passion pour l\u2019analyse<\/span>. Cet ouvrage regroupe des autoportraits c\u00e9l\u00e8bres, comme ceux de <span style=\"color: #008000;\">Montaigne<\/span>, de la <span style=\"color: #008000;\">Grande Mademoiselle<\/span> ou de <span style=\"color: #008000;\">Rousseau<\/span>, et des textes devenus introuvables, de <span style=\"color: #008000;\">Jouhandeau<\/span> ou de <span style=\"color: #008000;\">Cingria<\/span>. Portraits historiques et de caract\u00e8res (l\u2019<span style=\"color: #008000;\">Avare<\/span>, l\u2019Hypocrite\u2026) c\u00f4toient ici portraits de <span style=\"color: #008000;\">peuples<\/span>, de villes et m\u00eame d\u2019<span style=\"color: #008000;\">animaux<\/span>.<\/strong><\/h6>\n<h6><strong>Bien plus qu\u2019une <span style=\"color: #008000;\">anthologie<\/span>, ce livre sans \u00e9quivalent est <span style=\"color: #008000;\">l\u2019\u0153uvre d\u2019un \u00e9crivain<\/span> qui s\u2019est toujours demand\u00e9 <span style=\"color: #008000;\"><em>Qui dit je en nous\u00a0?<\/em><\/span>, en m\u00eame temps qu\u2019un journal couvrant des ann\u00e9es de lectures.<\/strong><\/h6>\n<h6><strong>Le plaisir seul a dict\u00e9 les choix de <span style=\"color: #008000;\">Claude Arnaud<\/span> : genre bref par essence, le portrait s\u2019y pr\u00eate tout particuli\u00e8rement. <span style=\"color: #008000;\">Mme de S\u00e9vign\u00e9<\/span> comparait les fables de <span style=\"color: #008000;\">la Fontaine<\/span> \u00e0 ces paniers de <span style=\"color: #008000;\">cerises<\/span> dans lesquels on picore, avant de finir par <span style=\"color: #008000;\">tout d\u00e9vorer<\/span>. Ces <span style=\"color: #008000;\"><em>Portraits crach\u00e9s<\/em><\/span> ont la saveur des bonheurs imm\u00e9diats.<\/strong><\/h6>\n<h6><strong>Romancier et essayiste, Claude Arnaud a pratiqu\u00e9 l\u2019art du portrait sous diverses formes. Br\u00e8ve, dans la trilogie autobiographique lanc\u00e9e par <span style=\"color: #008000;\"><em>Qu\u2019as-tu fait de tes fr\u00e8res\u00a0?<\/em> en 2010, longue, dans ses biographies (<em>Chamfort<\/em>, 1988\u00a0; <\/span><em>Jean <span style=\"color: #008000;\">Cocteau<\/span><\/em>, 2003). Il a re\u00e7u le prix Femina de l\u2019essai 2006 pour <span style=\"color: #008000;\"><em>Qui dit je en nous<\/em>\u00a0<em>?<\/em><\/span><\/strong><\/h6>\n<p><a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2017\/07\/BQS-final.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-7830\" title=\"BQS-final\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2017\/07\/BQS-final-1024x740.jpg\" alt=\"\" width=\"819\" height=\"592\" srcset=\"https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2017\/07\/BQS-final-1024x740.jpg 1024w, https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2017\/07\/BQS-final-300x216.jpg 300w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>*Ce volume rassemble pr\u00e8s de cinq cents portraits de personnages ayant exist\u00e9 (de Saint Louis \u00e0 Mao) ou qui ont \u00e9t\u00e9 invent\u00e9s (du Gargantua de Rabelais \u00e0 la L\u00e9a de Colette). Tir\u00e9s de m\u00e9moires, de lettres ou de romans, ces textes r\u00e9v\u00e8lent la richesse d\u2019un genre litt\u00e9raire \u00e0 part enti\u00e8re qui joua un r\u00f4le d\u00e9cisif [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7821,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-7826","page","type-page","status-publish","hentry","count-0","even alt","author-claude-arnaud","last"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/pages\/7826","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/comments?post=7826"}],"version-history":[{"count":11,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/pages\/7826\/revisions"}],"predecessor-version":[{"id":9161,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/pages\/7826\/revisions\/9161"}],"up":[{"embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/pages\/7821"}],"wp:attachment":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/media?parent=7826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}