{"id":7662,"date":"2017-05-15T11:44:55","date_gmt":"2017-05-15T11:44:55","guid":{"rendered":"http:\/\/www.claude-arnaud.com\/fr\/?page_id=7662"},"modified":"2026-03-13T16:22:57","modified_gmt":"2026-03-13T15:22:57","slug":"dans-les-musees","status":"publish","type":"page","link":"https:\/\/www.claude-arnaud.com\/fr\/claude-arnaud\/dans-les-musees","title":{"rendered":"Dans les Mus\u00e9es \/ in the Museums"},"content":{"rendered":"
\"\"<\/a>*Claude ARNAUD<\/strong><\/span> a collabor\u00e9 \u00e0 de nombreux catalogues<\/strong> accompagnant des expositions dans les mus\u00e9es europ\u00e9ens<\/strong><\/span>.<\/h6>\n
\"\"<\/a>*Il <\/strong>a donn\u00e9 une pr\u00e9face, \u201cPoussi\u00e8res d\u2019\u00e9toiles<\/strong><\/span>\u201d, \u00e0 l\u2019ouvrage intitul\u00e9 LE MYST\u00c8RE et l\u2019\u00c9CLAT <\/strong><\/em>que publie le Mus\u00e9e d\u2019ORSAY<\/span><\/strong> \u00e0 l\u2019occasion de l\u2019exposition de ses plus beaux pastels, \u00e0 l\u2019automne 2008<\/strong>. Une analyse d\u00e9taill\u00e9e de ce catalogue par Marc Bascou et Anne Distel a \u00e9t\u00e9 publi\u00e9 dans la revue en ligne HISTARA (Histoire de l\u2019art, histoire de la repr\u00e9sentation et arch\u00e9ologie\u2026)<\/h6>\n
*Pour en savoir plus<\/a>\u2026\u00a0\u00a0 <\/strong>*Pour trouver ce catalogue<\/a>\u2026<\/strong><\/h6>\n
\"\"<\/a>*Il<\/span><\/strong> a contribu\u00e9 au catalogue<\/span><\/strong>, co-\u00e9dit\u00e9 par Flammarion<\/strong> et le mus\u00e9e d\u2019ORSAY<\/strong>, de l\u2019exposition MASCULIN\/MASCULIN<\/strong><\/span> (au ORSAY, automne-hiver 2013\/14), avec un texte intitul\u00e9\u00a0L\u2019Homme \u00e0 tout faire<\/span><\/strong><\/em>, consacr\u00e9 \u00e0 la repr\u00e9sentation du nu viril<\/strong> dans l\u2019art europ\u00e9en et les fonctions esth\u00e9tiques, politiques et sexuelles<\/strong> <\/span>qu\u2019il a pu remplir, depuis le XVII\u00b0 si\u00e8cle jusqu\u2019\u00e0 nos jours. Pour en savoir plus\u2026<\/a><\/h6>\n
\u00ab\u00a0A propos \u00a0de l\u2019exposition du Mus\u00e9e d\u2019Orsay (\u2026) j\u2019avais d\u00e9j\u00e0 soulign\u00e9 la qualit\u00e9 du catalogue<\/strong><\/span>, publi\u00e9 par Flammarion, qui est \u00e0 mon avis plus int\u00e9ressant que l\u2019exposition<\/strong>. Gr\u00e2ce aux textes de Claude ARNAUD<\/strong><\/span> et de Charles DANTZIG<\/strong>, en particulier, qui font preuve d\u2019une r\u00e9elle qualit\u00e9 litt\u00e9raire. Le premier, sp\u00e9cialiste de Cocteau, fait l\u2019historique de la repr\u00e9sentation de l\u2019homme nu, depuis la Renaissance jusqu\u2019\u00e0 nos jours. Le second se borne \u00e0 constater une absence, celle des r\u00e9elles descriptions du corps masculin en litt\u00e9rature. Et on ne dira jamais assez le plaisir qu\u2019il y a \u00e0 lire de vrais textes d\u2019auteurs dans des livres d\u2019art<\/strong><\/span>\u00a0\u00bb , \u00e9crit Patrick Scemama<\/strong> sur le blog La R\u00e9publique de l\u2019art<\/a>\u2026<\/h6>\n
*Pour trouver ce catalogue<\/a>\u2026<\/h6>\n
\u00a0<\/strong><\/h6>\n
*Il <\/strong>a de plus contribu\u00e9, avec <\/span>une <\/span>vingtaine de textes<\/span> sur<\/strong> des tableaux et\"\"<\/a> gravures du peintre franco-suisse, au catalogue de la r\u00e9trospective<\/strong> que le mus\u00e9e du Grand Palais<\/strong> consacre \u00e0 F\u00e9lix VALLOTTON<\/strong>,<\/span> \u00ab\u00a0Le Feu sous la glace<\/strong>\u00ab\u00a0, du 2 octobre 2013 au 20 janvier 2014<\/strong>. Pour en savoir plus sur ce livre \u00e9dit\u00e9 par la RMN\u2026<\/a>\u00a0<\/strong><\/h6>\n
\"\"<\/a>*CLAUDE<\/strong>\u00a0ARNAUD<\/strong><\/span>\u00a0A encore CONTRIBU\u00c9 EN 2016<\/span> AU CATALOGUE DE L\u2019EXPOSITION\u00a0\u00a0\u00ab\u00a0<\/strong>LA MODE RETROUV\u00c9E\u00a0\u00bb<\/strong>, QUI SE TIENT AU MUS\u00c9E GALLIERA, CONSACR\u00c9E AUX RAPPORTS \u00c0 LA MODE DE\u00a0LA COMTESSE GREFFULHE<\/strong><\/span>, QUI INSPIRA PARTIELLEMENT \u00c0\u00a0PROUST<\/strong>\u00a0LE PERSONNAGE DE\u00a0LA DUCHESSE DE GUERMANTES<\/strong><\/span>.\u00a0POUR EN SAVOIR PLUS<\/a>\u2026 Pour trouver ce catalogue<\/a>…<\/h6>\n
\"\"<\/a>*CLAUDE ARNAUD<\/strong><\/span>\u00a0A aussi CONTRIBU\u00c9, \u00c0 L\u2019\u00c9T\u00c9 2017, AU CATALOGUE DE<\/strong>\u00a0L\u2019EXPOSITION \u00ab\u00a0EDOUARD VUILLARD ET KER-XAVIER ROUSSEL<\/span> \u2013 INTIMIT\u00c9S EN PLEIN AIR<\/strong>\u00a0\u00bb AU MUS\u00c9E DE L\u2019ABBAYE DE\u00a0SAINT-CLAUDE, DANS LE JURA-<\/strong>\u00a0LES MODERNES ET LE PAYSAGE<\/strong><\/em>, \u00c9DIT\u00c9 PAR SILVANA EDITORIAL, SOUS LA DIRECTION DE MATTHIAS\u00a0CHIVOT <\/span>–<\/strong>, AVEC UN TEXTE INTITUL\u00c9 \u00ab\u00a0DE TOUTES LES COULEURS\u00a0\u00bb, O\u00d9 IL REVIENT SUR\u00a0L\u2019IMPORTANCE CAPITALE QU\u2019EUT L\u2019EMPLOI DE LA COULEUR PURE<\/span><\/strong>\u00a0<\/span>DANS LE MOUVEMENT QUI POUSSA LES PEINTRES \u00c0 SORTIR DE LA\u00a0SIMPLE FIGURATION<\/strong>.<\/h6>\n
POUR EN\u00a0SAVOIR PLUS<\/a>\u2026\u00a0 POUR TROUVER\u00a0CE CATALOGUE<\/a>\u2026<\/h6>\n
\"\"<\/a>*CLAUDE ARNAUD<\/strong><\/span>\u00a0A aussi COLLABOR\u00e9 au CATALOGUe de l’exposition\u00a0PICASSO\/NAPOLI\/PARADE<\/strong><\/em>, Au MUSEE CAPODIMONTE de NAPLES (MAi-Juillet 2017) avec deux textes, L\u2019UN consacr\u00e9 A LA GEN\u00e8Se Du BALLET, \u00a0\u00bb\u00a0COCTEAU PARADE<\/strong><\/em>\u00a0\u00ab\u00a0, L\u2019Autre, UNe petite BIOGRAphie de\u00a0COCTEAU<\/strong>.\u00a0pour en sAvoir plus<\/a>\u2026<\/a>\u00a0pour trouver ce catalogue<\/a>\u2026\"\"<\/a><\/h6>\n
\"\"<\/a>*EN\u00a0SEPTEMBRE<\/strong>\u00a02019 CLAUDE ARNAUD<\/strong><\/span> A COLLABORE \u00a0AU CATALOGUE de\u00a0L\u2019EXPOSITION CINEMATISSE<\/em> (MUS\u00c9E MATISSE DES AR\u00c8NES DE CIMIEZ<\/span>, NICE)<\/strong>, QUI PROUVE LA PR\u00c9SENCE DANS L\u2019OEUVRE DU PEINTRE NORDIQUE D\u2019UN D\u00c9SIR<\/span><\/strong>\u00a0ET D\u2019UNE INTELLIGENCE<\/span><\/strong> DU 7\u00b0 ART<\/strong>. POUR SALUER LE REMARQUABLE TRAVAIL EFFECTU\u00c9 PAR LES DEUX COMMISSAIRES,\u00a0CLAUDINE GRAMMONT,<\/strong>\u00a0DIRECTRICE DU MUS\u00c9E, ET\u00a0DOMINIQUE PA\u00cfNI,<\/span>\u00a0<\/strong>ANCIEN DIRECTEUR DE LA CIN\u00c9MATH\u00c8QUE FRAN\u00c7AISE ET DU D\u00c9VELOPPEMENT CULTUREL AU CENTRE POMPIDOU,\u00a0CLAUDE ARNAUD<\/strong><\/span>\u00a0A ecrit UN TEXTE INTITUL\u00c9: \u00ab\u00a0COULEUR, MOUVEMENT, R\u00caVE\u00a0\u00bb. POUR EN SAVOIR PLUS\u00a0SUR CETTE EXPOSITION<\/a>\u2026 SUR LA\u00a0PROGRAMMATION QUI L\u2019ENTOURE<\/a>\u2026<\/h6>\n
Et sur le catalogue, publi\u00e9 par\u00a0les Editions IN FINE<\/a>\u2026<\/h6>\n
\"\"<\/a>*CLAUDE ARNAUD<\/span> A COLLABORE<\/strong> avec un texte intitul\u00e9 \u00ab La Libellule et le Taureau \u00bb, consacr\u00e9 aux rapports COCTEAU\u2013CHANEL<\/strong><\/span>, au catalogue accompagnant la grande Exposition CHANEL, \u00ab\u00a0Manifeste de Mode\u00a0\u00bb, <\/strong><\/span>qui s’est tenue au Mus\u00e9e GALLIERA durant l’hiver 2020\/2021. <\/strong><\/h6>\n
POUR EN\u00a0SAVOIR PLUS<\/a>\u2026<\/h6>\n
\u00a0<\/strong><\/h6>\n
———————————————————————————– <\/strong><\/h6>\n
\"\"<\/a>\"\"<\/a>CLAUDE ARNAUD<\/span> has written for exhibtion’ catalogs published by the european museums.<\/strong><\/h6>\n
*<\/a>A<\/strong> preface, \u201cStardust<\/strong>\u201d, for a book untitled MYSTERY AND GLITTER<\/span>, <\/strong><\/em>p<\/strong>ublished by the Musee d\u2019ORSAY, as it featured its<\/strong> pastels, at fall 2008<\/strong><\/span>. Read (in french) a review dedicated to that catalog<\/span> on HISTARA (Histoire de l\u2019art, histoire de la repr\u00e9sentation et arch\u00e9ologie\u2026)<\/a>\u00a0 Read more<\/a>…
\n<\/a><\/strong><\/h6>\n
Available in english, MYSTERY and GLITTER<\/strong><\/em> includes the most beautiful<\/span> pastels of the ORSAY MUSEUM<\/strong>…
\nGet this book<\/a>…<\/h6>\n
*Or<\/a>\u2026 As well as…\u00a0<\/a><\/strong><\/h6>\n
*Claude ARNAUD<\/span><\/strong> has written a text<\/strong>, untitled L\u2019Homme \u00e0 tout faire<\/strong><\/em>, dedicated to the figuration of the male nude<\/strong><\/span> in the european art<\/strong>, since the XVII\u00b0 century until today. Read more\u2026<\/a><\/h6>\n
\"\"<\/a>*Get that catalogue in the U.K<\/a>\u2026<\/strong><\/strong><\/h6>\n
<\/h6>\n
*CLAUDE ARNAUD<\/span> has written\u00a0 twenty texts about paintings and \"\"<\/a> etchings by F\u00e9lix VALLOTTON, the marvellous french-swiss painter, for\u00a0<\/strong>the catalog ot the great VALLOTON\u00a0<\/strong>EXHIBITION\u00a0at the mus\u00e9e du Grand Palais, Le Feu sous la glace<\/em> (2 october 2013\/ 20 january 2014). Read more about that catalog\u2026<\/a><\/strong><\/h6>\n
\"\"<\/a>*Get that catalogue in the U.S\u2026<\/a><\/strong><\/h6>\n
\"\"<\/a>*CLAUDE<\/strong>\u00a0ARNAUD<\/strong>\u00a0<\/span>has penned a text in the CATALOGUE of \u00ab\u00a0<\/strong>LA MODE RETROUV\u00c9E\u00a0\u00bb<\/strong>, an EXHIBITION \u00a0at the GALLIERA museum (2016), dedicated to the<\/span>\u00a0COunTESS GREFFULHE’s relationship to fashion<\/span> : <\/strong>the\u00a0countess INSPIRed \u00a0DUCHESS of GUERMANTES’ character in\u00a0TO\u00a0PROUST’s masterpiece<\/strong>.\u00a0FIND OUT more<\/a>\u2026<\/h6>\n
\"\"<\/a>*CLAUDE ARNAUD\u00a0has written an other text<\/span>, (summer 2017), in the CATALOGUE of<\/strong>\u00a0\u00ab\u00a0EDOUARD VUILLARD ET KER-XAVIER ROUSSEL\u00a0\u2013 INTIMIT\u00c9S EN PLEIN AIR<\/strong><\/span>\u00a0\u00bb, an exhibition at the MUseum of L\u2019ABBAYE DE\u00a0SAINT-CLAUDE, JURA, \u00ab\u00a0<\/strong>LES MODERNES ET LE PAYSAGE\u00a0\u00bb<\/strong><\/em>, published by SILVANA EDITORIAL and edited by\u00a0MATTHIAS\u00a0CHIVOT.<\/strong>\u00a0 the merge of abstraction and the triumph of the\u00a0COloR is the subject of his contribution,\u00a0UNTITLED \u00ab\u00a0DE TOUTES LES COULEURS\u00a0\u00bb.<\/strong>.<\/h6>\n
FIND OUT\u00a0more<\/a>\u2026\u00a0 get this CATALOGUE<\/a>\u2026<\/h6>\n
\"\"<\/a>*CLAUDE ARNAUD<\/strong>\u00a0has been involved in the writing of the CATALOGUE \u00a0\u00a0PICASSO\/NAPOLI\/PARADE<\/strong><\/em>, An exhibition at the CAPODIMONTE MUSEUM of\u00a0NAPoli<\/strong> (MAy-JUly 2017). He penned two TEXTS, the first, dedicated to the genesis of the BALLET, \u00a0\u00ab\u00a0COCTEAU PARADE\u00a0\u00bb<\/strong><\/em>\u00a0, the second, a short biography of\u00a0COCTEAU<\/strong>.\u00a0FIND OUT more<\/a>\u2026<\/a>\u00a0GET this CATALOGUE<\/a>\u2026\"\"<\/a><\/h6>\n
\"\"<\/a>*In<\/strong>\u00a0september 2019<\/strong>\u00a0opened at the Matisse museum (Ar\u00e8nes de Cimiez, \u00e0 NICE) \u00a0CINEMATISSE<\/strong>, an exhibition about matisse and the cinema (curators:\u00a0Claudine GRAMMONT<\/strong>\u00a0and\u00a0Dominique PA\u00cfNI).<\/strong>\u00a0Claude ARNAUD<\/strong>\u00a0has written in the catalogue a text untitled: \u00ab\u00a0Couleur, mouvement, r\u00eave<\/strong><\/em>\u00a0\u00bb. FIND OUT more<\/span>\u2026<\/h6>\n
and more<\/a>\u00a0again\u2026 about the catalogue, published by\u00a0Editions IN FINE<\/a>\u2026<\/h6>\n
\"\"<\/a>*CLAUDE ARNAUD<\/span> wrote about bittersweet\u00a0COCTEAU\u2013CHANEL\u00a0friendship<\/strong> in a text untitled \u00ab The dragonfly and the bull \u00bb, for the CATALOG of a great CHANEL exhibition, \u00ab FASHION MANIFESTO<\/strong>\u00a0\u00bb hosted by<\/strong>\u00a0MUSEE GALLIERA in Paris, winter\u00a02020\/2021<\/span>. <\/strong><\/h6>\n
READ MORE\u2026<\/a><\/h6>\n
GET THAT CATALOG<\/a>…<\/h6>\n
<\/h6>\n","protected":false},"excerpt":{"rendered":"

*Claude ARNAUD a collabor\u00e9 \u00e0 de nombreux catalogues accompagnant des expositions dans les mus\u00e9es europ\u00e9ens. *Il a donn\u00e9 une pr\u00e9face, \u201cPoussi\u00e8res d\u2019\u00e9toiles\u201d, \u00e0 l\u2019ouvrage intitul\u00e9 LE MYST\u00c8RE et l\u2019\u00c9CLAT que publie le Mus\u00e9e d\u2019ORSAY \u00e0 l\u2019occasion de l\u2019exposition de ses plus beaux pastels, \u00e0 l\u2019automne 2008. Une analyse d\u00e9taill\u00e9e de ce catalogue par Marc Bascou […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":5,"menu_order":5,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-7662","page","type-page","status-publish","hentry","count-0","even alt","author-claude-arnaud","last"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/pages\/7662","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/comments?post=7662"}],"version-history":[{"count":70,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/pages\/7662\/revisions"}],"predecessor-version":[{"id":17120,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/pages\/7662\/revisions\/17120"}],"up":[{"embeddable":true,"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/pages\/5"}],"wp:attachment":[{"href":"https:\/\/www.claude-arnaud.com\/fr\/wp-json\/wp\/v2\/media?parent=7662"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}