{"id":5560,"date":"2014-10-12T09:13:09","date_gmt":"2014-10-12T09:13:09","guid":{"rendered":"http:\/\/www.claude-arnaud.com\/fr\/?page_id=5560"},"modified":"2024-11-17T17:55:10","modified_gmt":"2024-11-17T16:55:10","slug":"a-luniversite","status":"publish","type":"page","link":"https:\/\/www.claude-arnaud.com\/fr\/claude-arnaud\/a-luniversite","title":{"rendered":"A l&rsquo;Universit\u00e9\/ At University (France and abroad)"},"content":{"rendered":"<h3><strong><span style=\"color: #008000;\">*DES THESES ONT ETE<\/span> CONSACREES AU TRAVAIL DE <span style=\"color: #008000;\">CLAUDE ARNAUD<\/span><\/strong>.<\/h3>\n<h6><strong><span style=\"color: #008000;\"><a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/logo-EHESS.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-6003\" title=\"logo-EHESS\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/logo-EHESS.gif\" alt=\"\" width=\"84\" height=\"84\" srcset=\"https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/logo-EHESS.gif 84w, https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/logo-EHESS-48x48.gif 48w\" sizes=\"auto, (max-width: 84px) 100vw, 84px\" \/><\/a>*Clara ZGOLA<\/span><\/strong>, \u00e0 l&rsquo;Ecole des Hautes Etudes en Sciences Sociales, pour le CRAL (Centre de Recherches sur les Arts du Langage) travaille \u00e0 une th\u00e8se ayant\u00a0pour sujet<strong>\u00a0\u00a0<\/strong>:\u00a0<em><strong>Les identit\u00e9s urbaines des romanciers parisiens de l\u02c8apr\u00e8s-guerre : \u00e9tude des oeuvres de <span style=\"color: #008000;\">Mich\u00e8le Bernstein<\/span>, Georges Perec, <span style=\"color: #008000;\">Patrick Modiano<\/span>, Jean Rolin, <span style=\"color: #008000;\">Claude Arnaud<\/span>, Fran\u00e7ois Cusset.<\/strong> <a href=\"https:\/\/cral.ehess.fr\/soutenance\/les-identites-urbaines-des-romanciers-parisiens-de-lapres-guerre-jusqua-lextreme\" target=\"_blank\" rel=\"noopener\">Pour en savoir plus<\/a>&#8230; <\/em><\/h6>\n<h6><strong>*C. Zgola a par ailleurs publie deux textes analysant les strat\u00e9gies narratives en cours dans<\/strong><em><span style=\"color: #008000;\"><strong> \u00ab\u00a0qu&rsquo;as-tu fait de tes fr\u00e8res?\u00a0\u00bb<\/strong> <\/span>: <\/em><\/h6>\n<h6><em>1\/<\/em><em>\u00ab\u00a0Claude Arnaud\u2019s urban fauna: <strong>a literary topography of 1970s Parisian counterculture<\/strong>\u00ab\u00a0, <\/em>TEKSTY DRUGIE\/Second Texts (6), pp. 168-182, 2014. <strong>LE TEXTE EXISTE AUSSI en version polonaise<\/strong>:\u00a0\u00bb<strong style=\"font-size: 0.8em;\"><span style=\"color: #008000;\">MIEJSKA FAUNA CLAUDE\u2019A ARNAUDA. O KONTRKULTUROWEJ TOPOGRAFII LITERACKIEJ PARY\u017bA LAT SIEDEMDZIESI\u0104TYCH XX WIEKU<\/span>\u00a0\u00bb\u00a0<\/strong><a title=\"teksty drugie\" href=\"http:\/\/tekstydrugie.pl\/auth\/clara-zgola\/\" target=\"_blank\" rel=\"noopener\">Pour avoir acc\u00e8s \u00e0 la source<\/a>&#8230;<\/h6>\n<h6>2\/\u00ab\u00a0<em>Le roman contemporain affect\u00e9 par l&rsquo;imaginaire de la r\u00e9volte urbaine : <span style=\"color: #008000;\"><strong>la mise en r\u00e9cit des exp\u00e9riences insurrectionnelles chez Claude Arnaud<\/strong> <\/span><strong>et Fran\u00e7ois Cusset<\/strong>\u00a0<\/em>\u00bb,<em>\u00a0<\/em>PhiN. Philologie im Netz (13), p. 76-95, 2017. <a title=\"web.fu-berlin\" href=\"http:\/\/web.fu-berlin.de\/phin\/beiheft13\/b13t05.pdf\" target=\"_blank\" rel=\"noopener\">POur lire ce dernier essai<\/a>&#8230;<\/h6>\n<h6>*<span style=\"color: #008000;\">Clara ZGOLA<\/span> a enfin particip\u00e9 en 2019 \u00e0 un colloque intitul\u00e9 : \u00ab\u00a0<span style=\"color: #008000;\">Les \u00e9critures des archives<\/span>: Litt\u00e9rature, discipline litt\u00e9raire et archives\u00a0\u00bb,<a href=\"https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2024\/11\/logo-light.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright  wp-image-16409\" src=\"https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2024\/11\/logo-light-300x114.png\" alt=\"\" width=\"226\" height=\"86\" srcset=\"https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2024\/11\/logo-light-300x114.png 300w, https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2024\/11\/logo-light.png 469w\" sizes=\"auto, (max-width: 226px) 100vw, 226px\" \/><\/a> avec une intervention intitul\u00e9e : \u00ab\u00a0Archiver mai 68 parisien \u00e0 travers le roman contemporain\u00a0\u00bb publi\u00e9 en ligne par la revue <a href=\"https:\/\/www.fabula.org\/colloques\/document6336.php\" target=\"_blank\" rel=\"noopener\">Fabula en date du 18\/09\/2019<\/a>.<\/h6>\n<h6><strong>*DES SEMINAIRES ONT ETE CONSACRES AU TRAVAIL DE\u00a0<span style=\"color: #008000;\">CLAUDE ARNAUD<\/span><\/strong>.<\/h6>\n<h6><strong><span style=\"color: #008000;\"><a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/lecnam_logo_250.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-6344\" title=\"lecnam_logo_250\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/lecnam_logo_250.png\" alt=\"\" width=\"132\" height=\"80\" \/><\/a>*LE 29 NOVEMBRE 2010<\/span><\/strong>, <em><strong>\u00ab\u00a0Qui dit je en nous\u00a0\u00bb<\/strong><\/em> &#8211;\u00a0 les chapitres consacr\u00e9s \u00e0 <span style=\"color: #008000;\"><strong>martin guerre<\/strong><\/span> et <strong>jean-claude romand<\/strong> en particulier &#8211; ont \u00e9t\u00e9 \u00e9tudi\u00e9S <strong>dans le\u00a0<\/strong><span style=\"font-size: 15.36px;\"><strong>S\u00e9minaire M2 europ\u00e9en<\/strong> \u00ab Formation des adultes \u00bb CNAM-Paris 13\/Nord-Louvain\u00a0la Neuve-Gen\u00e8ve\u00a0&#8211; S\u00e9minaire optionnel \u00ab <span style=\"color: #008000;\"><strong>Formation des adultes, biographisation des parcours<\/strong><\/span> \u00bb; <a title=\"youpilou\" href=\"http:\/\/youpiloulipo.blogspot.fr\/2010\/11\/formation-des-adultes-biographisation.html\" target=\"_blank\" rel=\"noopener\"><strong>pour en savoir plus<\/strong><\/a>&#8230;<\/span><\/h6>\n<h6><a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/home-portail-logo-final-v03.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-6006\" title=\"home-portail-logo-final-v03\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/home-portail-logo-final-v03.jpg\" alt=\"\" width=\"296\" height=\"76\" \/><\/a>*<strong>A L&rsquo;UNIVERSITE PARIS-OUEST DE <span style=\"color: #008000;\">NANTERRE<\/span><\/strong>, UN COLLOQUE S&rsquo;EST TENU EN FEVRIER 2012 SUR LE THEME: \u00a0<strong><em>Architecture et litt\u00e9rature : De l&rsquo;adolescence \u00e0 la maturit\u00e9. <\/em><span style=\"color: #008000;\">CHRISTINE<em>\u00a0<\/em>JERUSALEM<\/span><\/strong> \u00a0(IUFM Lyon) EST INTERVENUE SUR :<em>\u00a0<\/em><em>\u00ab\u00a0<span style=\"color: #008000;\"><strong>Les chambres dans \u00ab\u00a0Qu\u2019as-tu fait de tes fr\u00e8res\u00a0?\u00a0\u00bb (Claude ARNAUD)\u00a0\u00bb<\/strong><\/span> <a title=\"fabula.org\" href=\"http:\/\/www.fabula.org\/actualites\/architecture-et-litterature-de-l-adolescence-a-la-maturite_49097.php\">Pour en savoir plus<\/a>&#8230;<\/em><\/h6>\n<h6>*<strong>le 23 NOVEMBRE 2012, <span style=\"color: #008000;\">L&rsquo;universite lumiere lyon 2<\/span> <\/strong>a participer au festival <em><strong>mode d&#8217;emploi<\/strong><\/em> qui<a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/ivZtgaCNxkjpPJGKDQlB_vrvvIrCCPAb8zZVoJOS-t2Mr1NLfcMTBoxgek9bPavu9Xsks85.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-7402\" title=\"ivZtgaCNxkjpPJGKDQlB_vrvvIrCCPAb8zZVoJOS-t2Mr1NLfcMTBoxgek9bPavu9Xsk=s85\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/ivZtgaCNxkjpPJGKDQlB_vrvvIrCCPAb8zZVoJOS-t2Mr1NLfcMTBoxgek9bPavu9Xsks85.png\" alt=\"\" width=\"85\" height=\"85\" srcset=\"https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/ivZtgaCNxkjpPJGKDQlB_vrvvIrCCPAb8zZVoJOS-t2Mr1NLfcMTBoxgek9bPavu9Xsks85.png 85w, https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/ivZtgaCNxkjpPJGKDQlB_vrvvIrCCPAb8zZVoJOS-t2Mr1NLfcMTBoxgek9bPavu9Xsks85-48x48.png 48w\" sizes=\"auto, (max-width: 85px) 100vw, 85px\" \/><\/a> s&rsquo;interrogeait sur le th\u00e8me:\u00a0<strong>Masculin \/ F\u00e9minin : faut-il se d\u00e9finir ?<\/strong>, lors d&rsquo;une table ronde avec <strong>Claude Arnaud<\/strong>, <span style=\"color: #008000;\"><strong>Marie-Edith Cypris<\/strong><\/span> et <strong>Phia M\u00e9nard.<\/strong> <a href=\"http:\/\/archives.villagillet.net\/portail\/la-chose-publique\/details\/article\/masculin-feminin-faut-il-se-definir\/\" target=\"_blank\" rel=\"noopener\">Pour en savoir plus.<\/a>..<\/h6>\n<h6><a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/logo_ens.png\"><img loading=\"lazy\" decoding=\"async\" title=\"logo_ens\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/logo_ens.png\" alt=\"\" width=\"92\" height=\"92\" \/><\/a>*Le\u00a0<strong>31 mai 2014<\/strong>\u00a0, <strong>\u00e0 <span style=\"color: #008000;\">l&rsquo;Ecole Normale Sup\u00e9rieure de la rue d&rsquo;ULM<\/span><\/strong>, dans le cadre des s\u00e9minaires de <strong>l&rsquo;ITEM<\/strong> ( <strong>Institut des des Textes et Manuscrits Modernes<\/strong>) et du groupe \u00ab\u00a0Gen\u00e8se et autobiographie, fond\u00e9 par <span style=\"color: #008000;\"><strong>Philippe LEJEUNE<\/strong> <\/span>), sous le titre\u00a0\u00ab\u00a0<strong>Claude Arnaud : de la biographie \u00e0 l&rsquo;autobiographie <\/strong>\u00bb et l&rsquo;autorit\u00e9 de <strong>Catherine VIOLLET<\/strong>. Pour en savoir plus <strong><span style=\"color: #008000;\">sur le groupe<\/span><\/strong> <a href=\"http:\/\/www.item.ens.fr\/autobiographie-2013\" target=\"_blank\" rel=\"noopener\">\u00ab\u00a0Gen\u00e8se et autobiographie\u00a0\u00bb&#8230;<\/a><\/h6>\n<h6><a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/uta-header5.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-6266\" title=\"uta-header5\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/uta-header5.png\" alt=\"\" width=\"550\" height=\"110\" srcset=\"https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/uta-header5.png 550w, https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/uta-header5-300x59.png 300w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/a><\/h6>\n<h6>*<span style=\"color: #008000;\"><strong>A L&rsquo;UNIVERSITE LUMIERE LYON 2<\/strong><\/span> (UTA-UNIV-LYON2.FR), au d\u00e9partement \u00ab\u00a0<strong>ARTS, CULTURE, CIVILISATION<\/strong>\u00ab\u00a0, LE SEMINAIRE DE L&rsquo;HIVER 2015-2016, DIRIGE PAR <span style=\"color: #008000;\"><strong>MARTINE BOYER-WEINMANN<\/strong><\/span>, A ETE CONSACRE AUX <strong>\u00ab\u00a0RECITS D&rsquo;APPRENTISSAGE ET <span style=\"color: #008000;\">ROMANS DE FORMATION<\/span> AUX XX-XXI\u00b0 SIECLE\u00a0\u00bb<\/strong>. AU PROGRAMME : <em><strong>FERMINA MARQUEZ<\/strong><\/em> DE <span style=\"color: #008000;\"><strong>VALERY LARBAUD<\/strong><\/span>, <em><strong>MES APPRENTISSAGES<\/strong><\/em> DE <span style=\"color: #008000;\"><strong>COLETTE<\/strong><\/span>, <em><strong>LE PREMIER HOMME<\/strong><\/em> D&rsquo;<span style=\"color: #008000;\"><strong>ALBERT CAMUS<\/strong><\/span>, <em><strong>DE SI BRAVES GAR\u00c7ONS<\/strong><\/em> PAR <span style=\"color: #008000;\"><strong>PATRICK MODIANO, etc<\/strong><\/span>. LE COURS DU <strong>13 JANVIER 2016<\/strong>, INTITULE \u00ab\u00a0<strong>FILS, FRERES, FILLES DE<\/strong>&#8230;\u00a0\u00bb A ETUDIE <em><strong>QU&rsquo;AS TU FAIT DE TES FRERES?<\/strong><\/em>, DE <span style=\"color: #008000;\"><strong>CLAUDE ARNAUD<\/strong><\/span>.<\/h6>\n<h6>*EN 2016, <strong>brigitte almudever<\/strong> et <span style=\"color: #008000;\"><strong>raymond dupuy<\/strong><\/span>, <strong>Professeurs<\/strong> de <span style=\"color: #008000;\"><strong>psychologie sociale<\/strong><\/span> a <strong>l&rsquo;universite<a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/NRP_022_L204.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-7407\" title=\"NRP_022_L204\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/NRP_022_L204-200x300.jpg\" alt=\"\" width=\"128\" height=\"191\" srcset=\"https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/NRP_022_L204-200x300.jpg 200w, https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/NRP_022_L204.jpg 204w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/><\/a> toulouse jean-jaures<\/strong>,\u00a0 ont co-signe un article introduisant un dossier de la <span style=\"color: #008000;\"><em><strong>nouvelle revue de psychosociologie<\/strong><\/em> (<span style=\"color: #000000;\"><strong>2016\/2 n\u00b0 22<\/strong><\/span>) <\/span>consacre a \u00ab\u00a0<strong>l&rsquo;individu pluriel\u00a0\u00bb <\/strong>et partant de <span style=\"color: #008000;\"><strong>l&rsquo;analyse du sujet<\/strong><\/span> faite par <span style=\"color: #008000;\"><strong>claude arnaud<\/strong><\/span> dans <em><strong>qui dit je en nous?<\/strong><\/em>. POur d\u00e9couvrir <a title=\"cairn\" href=\"https:\/\/www.cairn.info\/revue-nouvelle-revue-de-psychosociologie-2016-2-page-7.htm\" target=\"_blank\" rel=\"noopener\">cet article<\/a>&#8230;<\/h6>\n<h6>*<a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/13286.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-6174\" title=\"13286\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/13286.jpg\" alt=\"\" width=\"115\" height=\"180\" \/><\/a><span style=\"color: #008000;\"><strong>L&rsquo;UNIVERSITE<\/strong><\/span> S&rsquo;EST PAR AILLEURS INTERESSEE A LA DIMENSION <span style=\"color: #008000;\"><strong>BIO-GRAPHIQUE<\/strong><\/span> DU TRAVAIL DE <strong>CLAUDE ARNAUD<\/strong>.\u00a0POUR LIRE LE PASSAGE QUE\u00a0<strong><span style=\"color: #008000;\">MARTINE BOYER-WEINMANN<\/span> (UNIVERSITE LUMIERE LYON 2,\u00a0MC HDR LITT\u00c9RATURE FRAN\u00c7AISE)<\/strong>\u00a0LUI A CONSACR\u00c9, DANS SON OUVRAGE\u00a0<a title=\"Google book\" href=\"http:\/\/books.google.fr\/books?id=TDL0ifRNfHsC&amp;pg=PA405&amp;dq=claude-arnaud&amp;hl=fr&amp;ei=f-uxTMqwHovKswaMraHcDQ&amp;sa=X&amp;oi=book_result&amp;ct=result&amp;resnum=2&amp;ved=0CCsQ6AEwATgK#v=onepage&amp;q=claude-arnaud&amp;f=false\" target=\"_blank\" rel=\"noopener\">\u00ab\u00a0LA RELATION BIOGRAPHIQUE : ENJEUX CONTEMPORRAINS\u00a0\u00bb (ED. CHAMP-VALLON, 2005)<\/a>&#8230;<\/h6>\n<h6>*A CONSULTER AUSSI :\u00a0<strong><span style=\"color: #008000;\">FRAN\u00c7OIS DOSSE<\/span> (<\/strong>histoire contemporaine Universit\u00e9 Paris<a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/7013-small139.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright  wp-image-6175\" title=\"7013-small139\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/7013-small139.gif\" alt=\"\" width=\"112\" height=\"171\" \/><\/a> Est)<strong>\u00a0\u00ab\u00a0LE PARI BIOGRAPHIQUE, ECRIRE UNE VIe\u00a0\u00bb<\/strong>, LA D\u00c9COUVERTE, 2005. POur en savoir plus <a title=\"la decouverte\" href=\"http:\/\/www.editionsladecouverte.fr\/catalogue\/index-Le_pari_biographique-9782707167118.html\" target=\"_blank\" rel=\"noopener\">sur ce livre<\/a>&#8230;<\/h6>\n<h6>*LE JURY DE\u00a0<span style=\"color: #008000;\"><strong>L&rsquo;AGR\u00c9GATION D&rsquo;ALLEMAND<\/strong><\/span>\u00a0DE 2005 A ENCORE DONN\u00c9, COMME SUJET\u00a0<strong>DU TH\u00c8ME \u00c9CRIT<\/strong>, UN EXTRAIT Du\u00a0<strong><em>COCTEAU<\/em> de <span style=\"color: #008000;\">claude arnaud<\/span><\/strong>.\u00a0<a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2009\/05\/all1.pdf\">POUR LIRE LE RAPPORT DES CORRECTEURS (PAUVRES \u00c9TUDIANTS!) CF. P.17-22)&#8230;<\/a><\/h6>\n<h3><span style=\"color: #008000;\"><strong>*A L&rsquo;ETRANGER\/ABROAD<\/strong><\/span><\/h3>\n<h6>*<span style=\"color: #008000;\"><strong><a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2010\/08\/images14.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-2111\" title=\"images\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2010\/08\/images14.jpg\" alt=\"\" width=\"64\" height=\"64\" \/><\/a>CLAUDE ARNAUD<\/strong><\/span> A PARTICIPE<strong>\u00a0<\/strong>A UN COLLOQUE CONSACR\u00c9, <strong>EN OCTOBRE 2004<\/strong>, \u00c0 LA<a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/images.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-6167\" title=\"images\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/images.jpg\" alt=\"\" width=\"127\" height=\"85\" \/><\/a> LITT\u00c9RATURE FRAN\u00c7AISE CONTEMPORAINE PAR\u00a0<strong><span style=\"color: #008000;\">L\u2019UNIVERSIT\u00c9 DE BARI<\/span><\/strong>, DANS LES POUILLES. <a title=\"Fabula\" href=\"http:\/\/www.fabula.org\/actualites\/il-futuro-del-presente-le-futur-du-present_6615.php\" target=\"_blank\" rel=\"noopener\">POUR DECOUVRIR SON CONTENU<\/a>&#8230; LES ACTES DE CE COLLOQUE ONT ETE PUBLIES, SOUS LA DIRECTION DE\u00a0<strong><span style=\"color: #008000;\">MATTEO MAJORANO<\/span>,\u00a0FONDATEUR DU GROUPE D&rsquo;\u00c9TUDE DE L&rsquo;EXTR\u00caME CONTEMPORAIN, (<span style=\"color: #008000;\"><strong>EDIZIONI B.A.GRAPHIS, 2005<\/strong><\/span>),\u00a0<\/strong><strong>SOUS LE TITRE\u00a0<span style=\"color: #008000;\"><em><strong>LE JEU DES ARTS<\/strong><\/em><\/span>,\u00a0AVEC UN TEXTE CONSACRE A SON RAPPORT AU ROMAN.\u00a0<\/strong><strong><a title=\"Fabula\" href=\"http:\/\/www.fabula.org\/actualites\/m-majorano-dir-le-jeu-des-arts_11560.php\" target=\"_blank\" rel=\"noopener\"><em>POUR EN SAVOIR PLUS SUR CET OUVRAGE ET DECOUVRIR UN COMPTE-RENDU SUR LE SITE FABULA..<\/em>.<\/a><br \/>\n<\/strong><\/h6>\n<h6><a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2010\/08\/images10.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-1919\" title=\"images\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2010\/08\/images10.jpg\" alt=\"\" width=\"91\" height=\"45\" \/><\/a>*<span style=\"color: #008000;\"><strong>\u00c0 l&rsquo;automne 2007<\/strong><\/span> s&rsquo;est tenu <strong>un s\u00e9minaire de 2e et 3e<\/strong><br \/>\n<strong>cycles<\/strong> sur <span style=\"color: #008000;\"><strong>la pratique de la biographie<\/strong><\/span>, au D\u00e9partement des lettres<a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/UofOttawa_Logo.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright  wp-image-6168\" title=\"UofOttawa_Logo\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/UofOttawa_Logo.jpg\" alt=\"\" width=\"162\" height=\"69\" \/><\/a> fran\u00e7aises de l&rsquo;<strong>Universit\u00e9 d&rsquo;Ottawa, Ontario, au CANADA<\/strong>. Organis\u00e9 par <strong>Marcel <span style=\"color: #008000;\">Olscamp<\/span><\/strong>, il avait pour titre \u00ab\u00a0<em><strong>USAGE DU BIOGRAPHIQUE EN FRANCE<\/strong><\/em>\u00a0\u00bb et s&rsquo;est LONGUEMENT pench\u00e9 sur <span style=\"color: #008000;\"><strong>la biographie de Jean COCTEAU<\/strong><\/span> publi\u00e9e par <strong>Claude ARNAUD<\/strong> en 2003.\u00a0<a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/Univ.Ottawa.rtf\">POUR DECOUVRIR LE PROGRAMME DE CE SEMINAIRE<\/a>, QUI S&rsquo;EST INTERESSE AUSSI A <em><strong>L&rsquo;AVERSAIRE<\/strong> <\/em><span style=\"color: #008000;\"><strong>D&rsquo;EMMANUEL CARRERE<\/strong><\/span> ET aU <em><strong>DORA BRUDER<\/strong><\/em> DE <a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/Univ.Ottawa.rtf\">Patrick Modiano<\/a>&#8230;<\/h6>\n<h6>*a cette occasion, <span style=\"color: #008000;\"><strong>claude arnaud<\/strong><\/span> a donne conf\u00e9rence \u00e0 <strong>l&rsquo;Universit\u00e9 d&rsquo;Ottawa<\/strong>, le lundi 26 novembre 2007 (soir). LE Lendemain, il est intervenu \u00e0 <span style=\"color: #008000;\"><strong>l&rsquo;Universit\u00e9 de<a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/logo-udem-300x115.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright  wp-image-6171\" title=\"logo-udem-300x115\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/logo-udem-300x115.png\" alt=\"\" width=\"137\" height=\"52\" \/><\/a> Montr\u00e9al<\/strong><\/span> dans le s\u00e9minaire de Mme <strong>Marie-Pascale Huglo<\/strong>. Le 28 novembre enfin, il a donne une Conf\u00e9rence \u00e0 <span style=\"color: #008000;\"><strong>l&rsquo;Universit\u00e9 Queen&rsquo;s<\/strong> de kingston<\/span>, <strong>sur les grands lacs<\/strong>, dans le cadre d&rsquo;un s\u00e9minaire organis\u00e9 par Mme <strong>Johanne B\u00e9nard<\/strong>.<a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/queenslogo.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright  wp-image-6170\" title=\"queenslogo\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/queenslogo.jpg\" alt=\"\" width=\"156\" height=\"53\" \/><\/a><\/h6>\n<h6><a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/logo_spirale_2.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-7405\" title=\"logo_spirale_2\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/logo_spirale_2-300x35.png\" alt=\"\" width=\"300\" height=\"35\" srcset=\"https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/logo_spirale_2-300x35.png 300w, https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/logo_spirale_2-1024x119.png 1024w, https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/logo_spirale_2.png 1025w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>*<strong>La m\u00eame ann\u00e9e 2007<\/strong>, <span style=\"color: #008000;\"><strong>claude arnaud<\/strong><\/span> a accorde \u00e0 <strong>Marcel olscamp<\/strong>, du d\u00e9partement des <span style=\"color: #008000;\"><strong>lettres fran\u00e7aises<\/strong> <\/span>de l&rsquo;universit\u00e9 <strong>d&rsquo;ottawa<\/strong>, <span style=\"color: #008000;\"><strong>un long entretien intitul\u00e9<\/strong><\/span> \u00ab\u00a0<em><strong>le nom propre<\/strong><\/em>\u00a0\u00bb et publi\u00e9 par la revue <strong><span style=\"color: #008000;\"><em>spirale<\/em><\/span><\/strong>, n\u00b0 215, disponible sur <a href=\"https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2021\/04\/Itw-M.-Olscamp.pdf\">le site de l&rsquo;Erudit<\/a>&#8230;<\/h6>\n<h6><a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/logo-oic-2015.png\" rel=\"group-3\"><img loading=\"lazy\" decoding=\"async\" title=\"logo-oic-2015\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/logo-oic-2015.png\" alt=\"\" width=\"131\" height=\"114\" \/><\/a>*<strong>organis\u00e9 par GREFLA\/Figura \u00e0<span style=\"color: #008000;\"> l\u2019Universit\u00e9 de Toronto<\/span>, et<\/strong> par Jean-Fran\u00e7ois HAMEL, Barbara HAVERCROFT et Julien LEFORT-FAVREAU, un colloque s\u2019est tenu en <strong>mai 2015<\/strong>, dans le cadre de <span style=\"color: #008000;\"><em><strong>l\u2019Observatoire de l\u2019imaginaire contemporain<\/strong><\/em><\/span>, abrit\u00e9 par L&rsquo;universit\u00e9 du quebec <strong>\u00e0 montreal<\/strong>.<strong> Fran\u00e7oise simonet-tenant<\/strong> Y a rendu compte de <strong><em>\u00ab\u00a0<span style=\"color: #008000;\">qu\u2019as-tu fait de tes fr\u00e8res?<\/span>\u00a0\u00bb<\/em><\/strong>\/ \u00a8Pour entendre cette <strong>communication<\/strong>, intitul\u00e9e : <a title=\"oic\" href=\"http:\/\/oic.uqam.ca\/fr\/communications\/quas-tu-fait-de-tes-freres-de-claude-arnaud-autobiographie-politique-et-roman\" target=\"_blank\" rel=\"noopener\">\u00ab\u00a0Autobiographie politique et roman d\u2019apprentissage\u00a0\u00bb<\/a>.<\/h6>\n<h6>Pour d\u00e9couvrir <a title=\"grelfa\" href=\"https:\/\/f.hypotheses.org\/wp-content\/blogs.dir\/33\/files\/2015\/04\/GRELFA_Autobiographie_Programme_A5_Verso_REV.pdf\" target=\"_blank\" rel=\"noopener\">le contenu integral de ce colloque<\/a>&#8230;<\/h6>\n<h6>*<strong>A l&rsquo;automne 2015<\/strong>, au departement fran\u00e7ais de<span style=\"color: #008000;\"><strong> l&rsquo;universite<a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/UofOttawa_Logo.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright  wp-image-6168\" title=\"UofOttawa_Logo\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/UofOttawa_Logo.jpg\" alt=\"\" width=\"172\" height=\"73\" \/><\/a> d&rsquo;ottawa, section litterature du xx\u00b0 siecle<\/strong><\/span>, s&rsquo;est tenu UN <strong>SEMINAIRE D&rsquo;\u00e9TUDES SUP\u00e9RIEURES<\/strong> CONSACR\u00e9 aux \u00ab\u00a0<strong>usages du biographique<\/strong>\u00a0\u00bb dirig\u00e9 par <span style=\"color: #008000;\"><strong>marcel olscamp<\/strong><\/span>. au programme, <span style=\"color: #008000;\"><strong>dora bruder<\/strong><\/span> de <strong>patrick modiano<\/strong>, <span style=\"color: #008000;\"><strong>les vies minuscules<\/strong><\/span> de <strong>pierre michon<\/strong>, <span style=\"color: #008000;\"><strong>l&rsquo;adversaire<\/strong><\/span> d&rsquo;<strong>emmanuel carr\u00e8re, <span style=\"color: #008000;\">La place<\/span>, <\/strong>d&rsquo;<strong>annie ernaux<\/strong>. Les seances du 18 novembre (<span style=\"color: #008000;\"><strong>le degr\u00e9 z\u00e9ro du biographique<\/strong><\/span>) du 25 novembre (<strong>les paradoxes de l\u2019identit\u00e9<\/strong>) du 2 d\u00e9cembre <em>(<\/em><span style=\"color: #008000;\"><strong>vers un nouveau paradigme<\/strong><\/span>) ont ETE consacr\u00e9es a\u00a0<strong><span style=\"color: #008000;\">Qui dit je en nous?<\/span><\/strong> , l&rsquo;essai de <strong>claude arnaud.<\/strong><\/h6>\n<h6><strong><a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/tumblr_static_yalelogoxsmallblue.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-7409\" title=\"tumblr_static_yalelogoxsmallblue\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/tumblr_static_yalelogoxsmallblue-300x258.jpg\" alt=\"\" width=\"144\" height=\"123\" srcset=\"https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/tumblr_static_yalelogoxsmallblue-300x258.jpg 300w, https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2014\/10\/tumblr_static_yalelogoxsmallblue.jpg 315w\" sizes=\"auto, (max-width: 144px) 100vw, 144px\" \/><\/a><a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2012\/06\/code-drapeau-americain-L-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-3098\" title=\"code-drapeau-americain-L-1\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2012\/06\/code-drapeau-americain-L-1-150x150.jpg\" alt=\"\" width=\"76\" height=\"76\" srcset=\"https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2012\/06\/code-drapeau-americain-L-1-150x150.jpg 150w, https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2012\/06\/code-drapeau-americain-L-1-48x48.jpg 48w\" sizes=\"auto, (max-width: 76px) 100vw, 76px\" \/><\/a>*A l&rsquo;automne 2016, <span style=\"color: #008000;\">les presses de l&rsquo;universite de yale<\/span>, aux etats-unis, ont publie <span style=\"color: #008000;\">la traduction en anglais<\/span> de la biographie que <span style=\"color: #008000;\">claude arnaud<\/span> a consacre a <span style=\"color: #008000;\">cocteau<\/span>. Pour decouvrir l&rsquo;echo qu&rsquo;a rencontre <span style=\"color: #008000;\">ce livre<\/span>, <a title=\"claude-arnaud\" href=\"http:\/\/www.claude-arnaud.com\/fr\/biographies\/la-quatrieme-de-couverture\/in-english-at-yale-university-press\">dans le monde anglo-saxon<\/a>&#8230;<\/strong><\/h6>\n<h6><strong>*<span style=\"color: #008000;\">IN 2016<\/span>, YALE UNIVERSIYTY PRESS (USA) published <span style=\"color: #008000;\"><em>Jean cocteau A life<\/em><\/span>, the \u00a0<strong> english<\/strong> translation\u00a0 of <span style=\"color: #008000;\">Claude arnaud&rsquo;S <\/span>biography of cocteau (Gallimard, 2003). READ the reviews in <strong><a title=\"claude-arnaud\" href=\"http:\/\/www.claude-arnaud.com\/fr\/biographies\/la-quatrieme-de-couverture\/in-english-at-yale-university-press\">T<strong>he amerIcain and english press<\/strong><\/a><\/strong>&#8230;<br \/>\n<\/strong><\/h6>\n<h6><strong>*Le 17 f\u00e9vrier 2018,\u00a0<span style=\"color: #008000;\">Claude ARNAUD<\/span><\/strong>\u00a0est intervenu lors du colloque organis\u00e9 par\u00a0<strong>the Department of<a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2018\/02\/USC-logo.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-8646\" title=\"USC logo\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2018\/02\/USC-logo-300x252.jpeg\" alt=\"\" width=\"300\" height=\"252\" srcset=\"https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2018\/02\/USC-logo-300x252.jpeg 300w, https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2018\/02\/USC-logo.jpeg 718w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\u00a0Languages, LItteratures and Cultures of the <span style=\"color: #008000;\">University of SOUth Carolina (usA)<\/span><\/strong><span style=\"color: #008000;\">\u00a0<\/span>intitul\u00e9\u00a0<strong>\u00ab 1968 in global perspective \u00bb<\/strong>, \u00e0 l\u2019occasion du\u00a0<span style=\"color: #008000;\"><strong>50\u00b0 anniversaire des \u00c9v\u00e9nements<\/strong>,<\/span> et pour la <strong>43\u00b0 conf\u00e9rence annuelle<\/strong> d\u00e9cid\u00e9e \u00e0 la litt\u00e9rature fran\u00e7aise.\u00a0<strong>Introduit par le Professeur\u00a0<\/strong><span style=\"color: #008000;\"><strong>Jeff PERSELS<\/strong><\/span>, il a \u00a0prononc\u00e9 en vid\u00e9oconf\u00e9rence un texte intitul\u00e9 \u00ab\u00a0<strong>Mai 68 vu par un enfant<\/strong>\u00a0\u00bb qui raconte la gen\u00e8se, historique et litt\u00e9raire du livre qu\u2019il a consacr\u00e9 \u00e0 68 et \u00e0 la p\u00e9riode qui a suivi,\u00a0<strong>\u00ab\u00a0Qu\u2019as-tu fait de tes fr\u00e8res?\u00a0\u00bb (\u00e9dition Grasset, 2010).<\/strong>\u00a0<a href=\"https:\/\/sc.edu\/study\/colleges_schools\/artsandsciences\/dllc\/study\/cplt\/conferences\/cplt_conf_20.php\" target=\"_blank\" rel=\"noopener\">Pour d\u00e9couvrir\u00a0le programme de ce colloque<\/a>\u2026<\/h6>\n<h6><a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2019\/11\/homeHeaderTitleImage_en_US.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-10142\" title=\"homeHeaderTitleImage_en_US\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2019\/11\/homeHeaderTitleImage_en_US-300x89.jpg\" alt=\"\" width=\"300\" height=\"89\" srcset=\"https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2019\/11\/homeHeaderTitleImage_en_US-300x89.jpg 300w, https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2019\/11\/homeHeaderTitleImage_en_US-1024x305.jpg 1024w, https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2019\/11\/homeHeaderTitleImage_en_US.jpg 1529w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>*<span style=\"color: #008000;\"><strong>Le texte de cette conf\u00e9rence<\/strong><\/span>\u00a0a \u00e9t\u00e9 publi\u00e9 par la revue\u00a0<strong><em>DELOS\u00a0<\/em><\/strong>et\u00a0les Presses de l\u2019Universit\u00e9 de Floride (<strong>Vol. 34, N\u00b02, pp. 232-239<\/strong>, automne 2019).\u00a0<span style=\"color: #008000;\"><strong>Jeanne GARANE<\/strong><\/span>, qui l\u2019a traduit, l&rsquo;A fait suivre d\u2019un texte rappelant<strong><span style=\"color: #008000;\"> le contexte historique et reliant cette intervention<\/span><\/strong> \u00e0\u00a0<em><strong>QU\u2019AS-TU FAIT DE TES FRERES?<\/strong><\/em>, le premier tome de la trilogie autobiographique de<strong>\u00a0<span style=\"color: #008000;\">CLAUDE ARNAUD<\/span><\/strong>. Pour d\u00e9couvrir ce texte\u00a0<a title=\"upress.ufi\" href=\"http:\/\/journals.upress.ufl.edu\/delos\/article\/view\/1001\" target=\"_blank\" rel=\"noopener\">en anglais&#8230;<\/a><\/h6>\n<h6><\/h6>\n<h6><span style=\"color: #008000;\"><strong><a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2012\/06\/code-drapeau-americain-L-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-3098\" title=\"code-drapeau-americain-L-1\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2012\/06\/code-drapeau-americain-L-1-300x225.jpg\" alt=\"\" width=\"110\" height=\"83\" srcset=\"https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2012\/06\/code-drapeau-americain-L-1-300x225.jpg 300w, https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2012\/06\/code-drapeau-americain-L-1.jpg 320w\" sizes=\"auto, (max-width: 110px) 100vw, 110px\" \/><\/a>*Claude ARNAUD made a lecture<\/strong><\/span>, the 02\/11.2018, the very last day of the conference hosted by <strong>the Department of\u00a0Languages, LItteratures and Cultures of <span style=\"color: #008000;\">the University of South Carolina<\/span><\/strong>\u00a0untitled\u00a0<strong>\u00ab\u00a01989 in global perspective\u00a0\u00bb<\/strong>, for the\u00a0<strong><span style=\"color: #008000;\">50\u00b0 anniversary of the events of may 68<\/span>. \u00ab\u00a0Mai 68 as seen by a child\u00a0\u00bb was the\u00a0title of\u00a0this lecture, dedicated to the\u00a0genesis, historical as\u00a0well as literary, of his autobiographical novel, <span style=\"color: #008000;\"><em>Qu&rsquo;as-tu fait de tes fr\u00e8res?<\/em><\/span> ( \u00e9dition Grasset, 2010) : moderator: <span style=\"color: #008000;\">Jeff PERSELS<\/span>. <a href=\"https:\/\/sc.edu\/study\/colleges_schools\/artsandsciences\/dllc\/study\/cplt\/conferences\/cplt_conf_20.php\" target=\"_blank\" rel=\"noopener\">Read the programm<\/a><\/strong><strong>&#8230;<\/strong><\/h6>\n<h6>*TRANSLATED BY\u00a0<strong>JEANNE GARANE<\/strong>, THIS LECTURE HAS BEEN\u00a0PUBLISHED BY<em><strong>\u00a0DELOS<\/strong><\/em>\u00a0AND THE<a href=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2019\/11\/homeHeaderTitleImage_en_US.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-10142\" title=\"homeHeaderTitleImage_en_US\" src=\"http:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2019\/11\/homeHeaderTitleImage_en_US-300x89.jpg\" alt=\"\" width=\"300\" height=\"89\" srcset=\"https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2019\/11\/homeHeaderTitleImage_en_US-300x89.jpg 300w, https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2019\/11\/homeHeaderTitleImage_en_US-1024x305.jpg 1024w, https:\/\/www.claude-arnaud.com\/fr\/wp-content\/uploads\/2019\/11\/homeHeaderTitleImage_en_US.jpg 1529w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\u00a0<strong>UNIVERSITY OF FLORIDA PRESS<\/strong>\u00a0(<strong>VOL. 34, N\u00b02, PP. 232-239, FALL 2019<\/strong>).\u00a0\u00ab\u00a0<strong>A BOY\u2019S EYE VIEW ON MAY 68\u2033<\/strong>\u00a0IS IN MANY WAYS <span style=\"color: #008000;\"><strong>BOTH A translation OF THIS LECTURE<\/strong><\/span> AND AN INTRODUCTION TO AN AN EXTREMELY CONDENSED VERSION OF\u00a0<strong>ARNAUD\u2019S<\/strong>\u00a02010\u00a0<em><strong>QU\u2019AS-TU FAIT DE TES FRERES?<\/strong><\/em>, (\u00ab\u00a0<span style=\"color: #008000;\"><strong>WHERE ARE YOUR BROTHERS ?\u00a0\u00bb<\/strong><\/span>), FIRST OF THE THREE VOLUMES OF HIS AUTOBIOGRAPHICAL CYCLE. <a title=\"upress.ufl\" href=\"http:\/\/journals.upress.ufl.edu\/delos\/article\/view\/1001\" target=\"_blank\" rel=\"noopener\">READ IT<\/a>\u2026<\/h6>\n","protected":false},"excerpt":{"rendered":"<p>*DES THESES ONT ETE CONSACREES AU TRAVAIL DE CLAUDE ARNAUD. *Clara ZGOLA, \u00e0 l&rsquo;Ecole des Hautes Etudes en Sciences Sociales, pour le CRAL (Centre de Recherches sur les Arts du Langage) travaille \u00e0 une th\u00e8se ayant\u00a0pour sujet\u00a0\u00a0:\u00a0Les identit\u00e9s urbaines des romanciers parisiens de l\u02c8apr\u00e8s-guerre : \u00e9tude des oeuvres de Mich\u00e8le Bernstein, Georges Perec, Patrick Modiano, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":5,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-5560","page","type-page","status-publish","hentry","count-0","even 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